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This week we're back to discuss what some have called the greatest horror movie of all time, and what might be the birth of queer cinema: THE BRIDE OF FRANKENSTEIN. In the years following Frankenstein's success, James Whale would go on to put his cam...
This week we're back to discuss what some have called the greatest horror movie of all time, and what might be the birth of queer cinema: THE BRIDE OF FRANKENSTEIN. In the years following Frankenstein's success, James Whale would go on to put his campy, humorous touch on horror classics The Old Dark House and The Invisible Man before returning to create his masterpiece. Meanwhile Boris Karloff elevated from a struggling bit player to receiving top-of-the-bill status in a string of successes. Of course, no discussion would be complete without discussing the immeasurable impact Elsa Lanchester made with mere minutes of screen time as the titular Bride. With her lightning bolt updo, and a hiss inspired by protective swans, Lanchester delivered one of the most memorable monsters i Universal cannon. The sequel adds humor to the gothic horror, and goes bigger in every way: there's a larger body count, a larger cast, more elaborate sets, and even more fantastical special effects. We're joined by guest Ygraine (What a Scream Podcast) for the first half of our two-parter on Bride.
Please read Brian's "Faces of Frankenstein: The Innovation and Influence of James Whale's Frankenstein" or more information on this seminal film.
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